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14-18 April 2015 Colé Italian Design Label will exhibit at Colé Gallery and DesignJunction Milan

During Salone del Mobile 2015 Colé Italian Design Label will exhibit a wide range of news, which include both furniture and objects. Designers: Lorenza Bozzoli, Lorenz* Kaz, Emmanuel Gallina, Aksu Suardi, Brachetti + Saibene e Hagit Pincovici . Please, visit us at Colé Gallery, Via Cesare da Sesto 11, open from april 14th to 19th, h. 10-19, (press preview and opening april 13th17h.-21h.), and at the DesignJunction, Via Pietro Mascagni 6, open from april 15th to 19th, h. 11-19, (press preview april 14th


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Colé presents The Furniture Music 2011

Inspired by 'literary salons' of the early 20th century, capable of generating vanguard through the spontaneous contamination between disciplines, we had the idea of a special evening, where the design meets the music within an outstanding framework as is the Galleria Giacomo Manoukian Noseda, inhabited by ancient tapestries and carpets that will live in dialogue with our collections, which originate from a contemporary reinterpretation of art, tradition and craftsmanship. Title of the event is 'The Furniture Music', the term coined by Erik Satie in 1917 to define background music played live and constituted of an indefinite number of repetitions, composed for the inauguration of a famous Parisian gallery. At the piano outstanding Cristian Niculescu, especially coming from Berlin with a program ranging from Satie to John Cage and Philip Glass.


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Colé Italian Design Label citato nel libro “Dopo gli anni zero, il nuovo Design Italiano” di Chiara Alessi

The publication provides an update on the histories of design and a link between the history and the new scenarios of Italian creativity. It is a combination of scientific volume, essay and a taxonomy of the breed of designers who are classified in an almost botanical style according to six poetic definitions intended to present current protagonists and highlight their individual details. The key points of design during the first decade of this century are investigated, those episodes that led to the establishing of these unique experiences; new places for production, education and criticism, and their crosspollination through the Internet, plus alternative methods, such as that of self-production. The work is completed with the introduction by Alessandro Mendini who presents a critical and in-depth reflection on the new generation of Italian design for the first time.


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